The photographer who disappears into the background
Eight years ago, a friend asked me to photograph her backyard wedding. I showed up with my camera, not really knowing what I was doing, and left completely changed. There was something about the smallness of it — the way people actually looked at each other, the way the emotion had nowhere to hide — that I had never felt shooting anything else. I was studying graphic design at the time. Two years later, I left that career behind and never seriously considered going back.
I work with couples who want something real over something polished. Not the version of their wedding that looks good on a mood board, but the one where the groom's mom squeezes his hand right before he walks out, or where the two of them slip away during cocktail hour just to exhale for a second. Those are the moments people don't even remember happening until they see the photo. That's what I'm there for. I shoot mostly elopements and intimate ceremonies — fifty guests or fewer — because that's where those moments actually have room to breathe.
The thing couples tell me most often is that they forgot I was there. I take that as the highest possible compliment. My job isn't to direct your day, it's to move quietly through it and bring back the parts that mattered. If you're planning something meaningful over something performative, somewhere with actual light and actual feeling — a vineyard, a cliffside, your parents' backyard — and you want someone who will match your energy without needing a lot of hand-holding, I think we'll get along well.
How We Can Work Together
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